Glass house in virgin nature (Detail plan)

Their shape reflects the smooth, rounded and seductive lines and washes Great Oyster Bay on the east coast of Tasmania, where the resort is located

The design of the pavilion glorifies the magnificent nature of Tasmania: on one side the wooden facade presents a discreet backdrop in which the lush vegetation is highlighted, while the rest of the house is completely immersed in nature.

Studio "Liminal" has come up with innovative solutions for the terrace instead of standard fences that would partially hide the view. Protective nets have been placed along the terrace, which provide additional space for relaxation, reports Telegrafi.

Special attention has been paid to the selection of the location for the new lodges in order to ensure an intimate and relaxing environment.

The path to the pavilion does not reveal much: the path leads up dark windowless walls to the protected entrance doors. But precisely such a view plays an important role in creating feelings of saturation and isolation from other visitors.

The black color on the facade created with the traditional Japanese Shou Sugi Ban technique, which means treating the surface layer of wood by burning, then firing oil on damaged surfaces.

Thanks to this technique, the lifespan of the object is extended, because the wood is better protected from atmospheric conditions and insects.

In contrast to the protected entrance of the pavilion part, the interior is bright, warm and offers an atmosphere of pleasure.

The walls, floors and ceilings throughout are paneled in Tasmanian beech and acacia.

From the floor to the ceiling stretch the curved glass windows that bring nature into the interior and strengthen the feeling of connection with nature.

The color palette is reduced to shades of grey, orange and blue, which can be found in the surroundings, granite rocks, lichens and the deep blue of the ocean.

/Telegraph/